• Osso large lamp by Carlo Nason for Mazzega, Italy, 1970s — Sculptural Murano glass light.
  • Osso large lamp by Carlo Nason for Mazzega, Italy, 1970s — Sculptural Murano glass light.
  • Osso large lamp by Carlo Nason for Mazzega, Italy, 1970s — Sculptural Murano glass light.

    Osso large lamp by Carlo Nason for Mazzega, Italy, 1970s — Sculptural Murano glass light.

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    Carlo Nason’s Osso lamp embodies a tactile dialogue between glass and light. Designed in Murano for Mazzega during the 1970s, the piece reveals how Nason sought to merge organic rhythm with sculptural precision. Its name — Osso, meaning “bone” — underlines a fascination with anatomy and structure, as if light itself could be given a skeletal form.

    This large version magnifies the lamp’s presence, amplifying its architectural proportions while preserving its soft luminosity. The translucent Murano glass diffuses light into a gentle radiance, both functional and atmospheric, bridging the artisanal with the futuristic. It is a work where poetry and functionality coexist — a domestic prototype that feels as relevant today as in its original context.

     

    OBJECT SPECIFICATIONS

    PRODUCT: Osso Lamp, large version
    DESIGNER: Carlo Nason
    MANUFACTURER: Mazzega
    ORIGIN: Italy
    PERIOD: 1970s
    MATERIAL & TECHNIQUE: Hand-blown Murano glass with metal fittings
    COLOR: Translucent, white opaline
    TEXTURE: Smooth, glossy surface with soft diffusion
    ELECTRICAL CONNECTION: original | verified | bulb E27, not included
    CONDITION: Excellent condition

     

     

    Carlo Nason

    Carlo Nason approached glass like a designer from another planet — precise, quiet, and radically modern. Born in 1935 on the island of Murano, he was raised in a family of master glassmakers, yet his vision broke with tradition. Trained in the family workshop, he explored seriality, transparency, and the structural language of light. His lamps do not merely illuminate — they inhabit space.

    Most of his iconic lighting pieces were produced by Mazzega, where he helped shape a new vision of Murano. Layered opaline, smoked transparencies, and interlocking forms became signatures of his luminous universe — part sculpture, part light, part dream.

    His works are in the collections of the internationally renowned Corning Museum of Glass, and The Museum of Modern Art in New York.

     

     

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